Sandra

Midori Takada will premiere her work made of traditional Lithuanian polyphonic music

From 29 June to 3 July, Kaunas will be hit by „Audra“ („the Storm"), a five-day music and art festival in the city's spaces. The nightclub Lizdas, together with the youth of Kaunas city and Kaunas European Capital of Culture 2022 team, is organizing a huge programme of events, which will be scattered around the city's most spectacular urban spots.

One of the festival's most important guests is Japanese percussionist and composer Midori Takada, considered one of the world's pioneers of ambient and minimal music. The premiere of "Silence Birds", a collaborative project between her and several ensembles, will take place in the Grand Hall of the VDU, inspired by the Russian aggression in Ukraine. Midori Takada has already visited Lithuania three decades ago, just after the regaining state's independence.

The concert in Kaunas on 30 June is one of the most anticipated and important performances of the Audra Festival. Midori Takada, one of the pioneers of ambient and minimal musical and an icon of modern Japanese music, will present a work that she has been preparing for several months together with local sutartinės (polyphonic Lithuanian traditional songs) ensembles Gaudė and Devynragė.

Each time a new and unique piece is dedicated to the country the artist is visiting. Every live performance of Midori Takada is unique and prepared especially for that occasion. In Kaunas, she will be performing "Silence Birds", a piece that has never been heard before and which was born quite recently and not by chance. Midori Takada composed it with the crimes of Russian aggression in Ukraine in mind. The bird is a symbol of freedom for the Japanese artist, whose songs and sounds she will recreate with the help of traditional Lithuanian and Japanese sutartines. Why the sutartinės? Lithuania and Japan are the only countries where this style of polyphonic singing is still alive.

Midori Takada is a true luminary in the world of ambient and experimental music, playing solo, in various groups and theatre productions. In the 1980s and 1990s, Takada devoted her craft to traditional African and Asian percussion with great success, culminating in her classic album "Through The Looking Glass", which was reissued in 2017. Considered a Holy Grail of Japanese music by many, "Through The Looking Glass" is Midori Takada’s first solo endeavor, a captivating four-song suite capturing her deep quests into traditional African and Asian percussive language and exploring contemplative ambient sounds with admirably precise use of marimba. The result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience.

Midori Takada: https://www.youtube.com/watch?v=gnYSIDwu3TA

She debuted on the scene of Berlin Philharmonic, performing with the RIAS Symphonie-Orchester Berlin just after graduating from Tokyo University of the Arts in 1974. She continued her career with solo concerts in Japan and abroad.

In the 1980s Midori began to explore the traditional music of Asia and Africa. Her fascination resulted in joint projects with Kakraba Lobi from Ghana, Lamine Konte from Senegal, Farafina Band from Burkina Faso, and Korean musicians: zither player Chi Seong-Ja, flute player Won-Il, and saxophone player Kang Tae-Hwan. She also led Mkwaju Ensemble's innovative percussion project and still performs with free-jazz band Ton-Klami with Kang Tae-Hwan and jazz pianist Masahiko Satoh.

In the past 20 years, Midori Takada spent more time in theaters than in concert halls – composing and performing live music for theater. She regularly works with Tadashi Suzuki and his Suzuki Company of Toga on their adaptations of "Electra" and "King Lear".

Midori Takada: In Motion: https://thevinylfactory.com/films/midori-takada-film-midori-takada-in-motion/

Takada's compositions have a remarkable way of affecting the imagination. Her minimalist, contemplative music is filled with the concept of infinity and reminds us of a moon voyage, falling stars, a journey into the ocean, or a walk in the garden. The trans melodies, initially simple, begin to loop and splinter, their rhythm breaking and thickening, slowly drawing the listener into another reality.

The programme of the Audra Contemporary City Festival is jointly developed by the youth organisation "Kylantis Kaunas", team of the nightclub Lizdas, Kaunas - European Capital of Culture 2022 and various partners from Greece, Serbia, France, Germany, Estonia, Finland and Japan.

Midori Takada in Kaunas: https://www.youtube.com/watch?v=Aydh8AYUA4s

by Sandra

The “Confluence” Effect in Kaunas: thousands of people gathered in the city

How many ways are there to celebrate life? “Confluence”, the second act of the Contemporary Kaunas Myth Trilogy, flooded the city with a multifaceted programme, showing that there are just as many of us. Every resident or guest of the European Capital of Culture created their own celebration formula this weekend. From a dinner table on Laisvės Alėja to wild dances on Town Hall Square, from the question-raising contemporary art in unexpected spaces to the heart- and body-soothing traditional sauna rituals by the river. From the feverish game of Kaunas Beast, which was even more involving than in January, to quiet pauses in art oases or a selfie after climbing the observation tower erected at the confluence of the Nemunas and the Neris rivers just for this weekend. “Confluence”, an international cultural festival, was by far the most colourful and eventful celebration to ever hit Kaunas. It is estimated that more than several hundred thousand culture and art seekers attended the events in these days, while performances were created by over 1000 singers, acrobats and actors.

After celebrating the fifth edition of the Courtyard Festival on Friday in the central axis of Kaunas, Laisvės Alėja, on Saturday, the main action of “Confluence” moved to the Old Town and other parts of the city. From the morning onwards, orange balls were bouncing in the “Beast of the Street” tournament by the House of Basketball, while the sauna brothers gathered by the Neris River to set up their fires and prepare for talks on healthier living.

By midday, the most impatient had already dived into three themed mazes set up by Catalan Espectacle Spectacular. The labyrinths required a lot of wandering and head-turning to get through. The reward for successfully solving the puzzles were the performances presented by Kaunas State Puppet Theatre for the Kaunas Puppet 22 International Festival or the incense people could make themselves in the town of creative experiences. Of course, one could also bargain for souvenirs from the traditional fair dedicated to Kaunas’ birthday, which, like the Courtyard Festival, this year was attended by participants from Ukraine and other countries.

The French acrobatic troupe Cie Basinga gave an extraordinary, breathtaking show to those gathered at Kaunas Castle. The artist walked on a 230-metre long rope seemingly carefree and was greeted with an ovation for such tricks as a split or a headstand and other incredible movements that have been polished for years, ten metres above the ground. Fifty Kaunas 2022 volunteers worked together to make this performance, accompanied by fantastic live music, a success, creating the rope tension needed for a perfect show.

The initiative “Let's Celebrate the River”, which offered two cultural routes on the Neris and the Nemunas, invited people to discover unity in water. Cultural stops and co-created works of art awaited the inventively dressed, birthday-themed river-goers. “I would say that such routes should exist not only on the city’s birthday but permanently - that is, when travelling on the river by kayak or raft, you always want to visit an unexpected place or event, so I would vote for permanent art stops along the rivers,” commented a participant later after having completed the section on the Nemunas River starting from Petrašiūnai.

Music lovers also received some outstanding gifts - concerts by popular and emerging artists on two stages. On Friday, Justinas Jarutis, Saulės kliošas and Monique greeted everyone in Santaka Park, while on Saturday, Sisters on Wire, GJan and Saulius Prūsaitis took over the main stage. The Kaunas 2022 Summer Stage, which has just been set up in the Town Hall Square, was full of foreign guests, including LÜCY from Taiwan, Bratri from the Czech Republic and Musica Vitae from Sweden. The most interesting Lithuanian artists and performers - Kristijonas Ribaitis, shishi, or Baltic Balkan, who created a massive party after the main “Confluence” show - also performed on the stage that will remain in the square until autumn.

As darkness fell, miraculously - or maybe with the tail wagging the Beast of Kaunas? - the rain stopped, and tens of thousands of spectators flocked to the confluence of the Nemunas and Neris rivers, unwilling to miss the second act of the Contemporary Kaunas Myth trilogy. The show transformed the father of the rivers into a giant stage. The stars of the show were not only the musicians including the Ukrainian Jamala, who stunned with her fiery performance, Giedrė and Jessica Shy, Linas Adomaitis, Beissoul & Einius, Algirdas Kaušpėdas, ROYCE but also canoeists, windsurfers, aqua-acrobats and everyone else attracted to water as the most alluring element.

The actor Dainius Svobonas navigated the audience’s eyes, ears, and souls with his questions right up to the show’s climax, which once again reminded the whole world that Kaunas is not only the centre of Lithuania but also of European culture. Kaunas is a living organism whose heart beats strongest at the confluence of the Nemunas and Neris rivers, the mythical birth point of the city. “We are capable of more than we think” - with this statement, Svobonas led the crowd of thousands to continue experiencing “Confluence” and celebrating the art and culture that will help build the city together beyond 2022.

The fastest ones rushed upstream - back to the centre of Kaunas, to the Nemunas Island, where the quickest unveiling of a sculpture in history took place at midnight. Spotlights welcomed the Beast of Kaunas, who finally appeared, showing off his glowing body, and who can now be visited by all who wish. Another new attraction - the tooth of the Beast of Kaunas discovered by ceramicist Remigijus Sederevičius - awaits near the Kaunas Castle. It is said to bring good luck to those who see it and show it to others.

On Sunday, the vector of “Confluence” turned to the Kaunas district. In Zapyškis, the traditional international kite festival “Between the Earth and the Sky” was held, followed by the long-awaited opening of the cultural ship “Nemunas7”. The historic dredge, reborn as an art space, will invite visitors to contemporary art exhibitions, workshops and residencies until the end of the warm season.

The trilogy of the Contemporary Kaunas Myth, which began with the “Confusion” in January and invited to dive into “Confluence”, will culminate in November with the last act - “Contract”. The European Capital of Culture programme in Kaunas and the Kaunas region continues throughout the year, with hundreds of traditional and debut events planned for 2022, including exhibitions, festivals, performances and other activities created by local and international artists and Kaunas communities. For the complete Kaunas 2022 programme, please visit www.kaunas2022.eu or the mobile app.

by Sandra

European Capital of Culture Forum in Kaunas: Visions of Legacy and Lessons from Ukraine

What happens to a city when the European Capital of Culture year ends? Perhaps cultural life is replenished with new festivals, but it is more essential to see people discover their artistic flair and witness stronger, more self-confident communities? Legacy is both a stronger identity and a more robust economic blood flow. Sometimes it’s a newfound love, even a new family. Maybe it’s just a cosier backyard. On 19 May, the fifth European Capital of Culture Forum invited to discuss how Kaunas will live beyond 2022 and hear inspiring and thought-provoking international examples.

Ana Kočegarova-Maj, Head of the Kaunas 2022 Programme, welcomed the Kaunas and European cultural community to the Žalgirii Arena amphitheatre and reminded them that the first such forum in 2018 was organised in search of a recipe for a successful European Capital of Culture (ECoC). How to create projects that have a lasting impact and inspire ambition and change in the local community? This Spring, as the Kaunas 2022 programme gathered momentum and the second act of the Contemporary Kaunas Myth trilogy, Confluence, approached, the forum became a much-needed pause and opportunity to reflect on the work that has already been done and a place to ask questions - how will we live, what goals will we set for ourselves in the coming years? Moreover, as the whole world is witnessing the war in Ukraine, the meeting in Kaunas provided an opportunity to hear first-hand the enormous power of transforming one’s professional skills in the face of terror and the importance of appreciating what we have here and now.

Practical examples from Lithuania and abroad 

The first speaker of the ECoC Forum was sociologist and artist Tadas Šarūnas. The expert, currently conducting an external evaluation of Kaunas 2022’s activities and legacy, playfully presented possible ways to define value and meaning. As an example of how the impact of culture and art cannot be measured in numbers alone, he presented the answer to the question of the meaning of life and the universe, as given by the writer Douglas Adams in his book “Hitchhiker's Guide to the Galaxy”. A computer that has done countless years of calculations only spelt out ‘42’ in the book. According to the sociologist, numbers seem meaningless when you do not consider what is untouchable and incalculable. Next year, we will be looking at a study based primarily on small success stories that happened in Kaunas. Each of them is part of one immense legacy, one city body.

Beatriz Garcia, Associate Director at the Centre for Cultural Value in Liverpool (UK), gave a more scientific view of what a challenge of the scale of the ECoC can bring to a city. Liverpool’s success as a European Capital of Culture in 2008 was due to many internal and external factors. For example, shortly after the city won the bid, it was announced that the 2012 Olympic Games would be held in the UK capital, London, which was an added boost. Liverpool’s European pride also grew. As the country witnessed Brexit, this city hosted some of the largest rallies for remaining in the EU. Garcia also stressed the importance of sharing data and knowledge - reinventing the wheel each time is pointless. A qualitative assessment of the legacy can only be made by looking at the figures collected from the perspectives of specialists from different fields.

The latter thesis was in a way extended by the presentation “Gold and Coal: Artistic Community Experience”. It presented the work of the Italian director, contemporary circus artist and teacher Roberto Magro with the communities of the Kaunas district as a success story.

One of the speakers, Lukas Alsys, Deputy Head for Culture at Culture, Sports and Science Department, Kaunas District Municipality Administration, reminded that the ECoC title is shared by two municipalities this year. According to him, the inhabitants of the Kaunas district - as many as 25 towns - by joining the co-creation process invited by Kaunas 2022 had the chance to realise themselves in an unexpected way, proving that the language of art and culture is the most universal.

“We are far away from cultural centres, and cultural life here is based on ethnography and folklore - this is not a bad thing, but the repertoire is inherited, the content does not attract external attention, and as an elder, it is important for me that we grow not only in the number of new pavements but also in terms of the emotional connection with our land,” said Šarūnas Pikelis, head of the Batniava eldership. He recalled the community’s acquaintance with R. Magro, who came here to create the performance “Visions”, inspired by the works of Vytautas Mačernis and Čiurlionis: “We remembered that we actually had a forest, we saw it with new eyes - after the premiere, it became a meeting place for people, the forest came to life.”

Magro himself invited the Forum participants to participate in a playful experiment, presenting a unique working method based on seven invisible strings that can be used to control creativity. “One needs an aesthetic experience to teach the mind to be amazed,” said the Italian, recalling that last year in Batniava, he was impressed by the warmth of the people and the dedication of the Lithuanian artists to the process even in the pouring rain. He then told about his trip to Linksmakalnis, a village literally translated as “Funny mountain”. “I remember the first time I went there. I didn’t find a mountain or any fun - just the fact that it was a secret radio town during Soviet times. But they took me to a small museum of angels, and that’s how we created the play “Radio angels”,” recalled Magro, who made Linksmakalnis a famous town. He and contemporary circus professionals from all over the world who have visited the Kaunas area are still in contact with local young people. Amazingly, one Linksmakalnis teenager is already attending a circus school in Kaunas and is seriously considering such a career.

Lessons from the front

At the invitation of Kaunas 2022, Yulia Khomchyn, Head of the Lviv Cultural Strategy Institute, attended the ECoC Forum. The Ukrainian, who briefly introduced the principal idea of the Institute, devoted her presentation to showcasing how her work and that of her colleagues has changed since 24 February, when Russia started the war in Ukraine. The international partnerships that had been established previously took on a new meaning: the Institute sends factual information on the war to colleagues abroad. It has been able to effectively protect heritage assets with the knowledge and advice of foreign partners. Stained glass windows in churches covered in wood, sculptures hidden under sandbags, theatres turned into places of refuge - this has been the daily reality of Lviv, one of Ukraine’s most beautiful cities, for three months.

“We do what ongoing events demand so that we don’t lose what we are made for”, said the guest from Lviv. The CSI also acts as a humanitarian aid centre for Ukrainians arriving from cities under heavy attack and provides information for those in the cultural field, both those wishing to leave and those staying behind to defend their country. Khomchyn also shared a sensitive video clip, an excerpt from the diary of a jazz festival director fighting on the frontline.

“In the face of war, we came out much stronger than we thought. We were able to transform ourselves quickly and professionally - it is something we keep in mind when we think about our potential to rebuild Ukraine after the victory,” said the cultural expert. She also announced that she would like to organise the Ukrainian contemporary art triennial in Kaunas this year - Lublin in Poland is also being considered. However, there is still plenty of time before October. Anyone with ideas is invited to get in touch and share them.

Growing culture, desire to continue 

In the afternoon, Agata Etmanowicz, Audience Development Specialist, Vice President of Impact Foundation from Poland, invited representatives of the Kaunas cultural field to share their experience gained in the training courses provided by Kaunas 2022. She presented the journey of the programme from 2019 to today. The impact of the programme on their organisations was shared s presented by representatives of the Kaunas Biennial, Kaunas Vincas Kudirka Public Library and Kaunas IX Fort Museum. “The experiences of the organisations are different, but the positive effect seen by all is the increased cooperation between Kaunas cultural institutions and the partnerships that have been established,” Monika Straupytė, Acting Head of the Cultural Management Department of the Kaunas Vincas Kudirka Library, told after the presentation.

Immie Jonkmann, Head of Leeuwarden-Friesland 2018, shared the case of the region of the Netherlands, which celebrated the ECoC title four years ago. This year, Leeuwarden and Friesland are presenting the first ECoC legacy event, the Arcadia triennial. Among its highlights are hundreds of trees planted in mobile containers, which ‘travel” around the city to remind people of the importance of nature. According to Jonkman, the attitude of the authorities towards cultural projects has changed a lot since 2018, and it has become much easier to get support for ideas and funding.

Both the guest from the Netherlands and Virginija Vitkienė, Head of Kaunas 2022, who followed her, agreed that it is difficult to talk about the legacy of the Kaunas project at this stage when all the activities are just getting underway. Vitkienė presented the most important Kaunas highlights and initiatives, stressed the importance of having supportive partners and revealed which Kaunas 2022 projects will definitely live on in the years to come. These include the ConTempo and Magenta festivals, Kaunas Literature Week, etc.

The main day of the fifth European Capital of Culture Forum ended with the discussion “Post ECOC. A New Beginning”. It was attended by I. Jonkmann, V. Vitkienė, L. Alsys, as well as the Vice-Minister of Culture of the Republic of Lithuania, Albinas Vilčinskas, and the Vice-Mayor of Kaunas, Mantas Jurgutis. All agreed that the activities should not cease after 2022. After all, the continuation of the project was already discussed in the project application, and both the Government and municipal representatives agreed to it. This is also included in the Kaunas Cultural Strategy.

On Friday morning, some of the guests of the ECC Forum took part in Etmanowicz’s workshop, while others were preparing for the Confluence weekend marathon. Over 60 events - concerts, performances, workshops, etc. - are planned for Kaunas, which celebrates its birthday on 20-22 May.

The complete Confluence programme is available at kaunas2022.eu/santaka or on the Kaunas 2022 mobile app.

by Sandra

A joint exhibition of MO Museum and Kaunas City Museum: „Kaunas–Vilnius: Moving Mountains“

MO Museum and Kaunas City Museum open a unique exhibition about two cities and in two cities. The exhibition "Kaunas–Vilnius: Moving Mountains" explores the coded and inevitable conflict between Kaunas and Vilnius. However, this tense relationship is approached from a positive perspective – the rivalry does not take anything away from the two cities, but pushes them both relentlessly forward. The exhibition is one of the highlights of the Kaunas – European Capital of Culture 2022 programme this year.

By inviting visitors to the exhibition representatives of MO Museum and Kaunas City Museum invite them to reflect on the changing dynamic relationship between Kaunas and Vilnius. And to answer the question: how are these cities related and necessary to each other? The entire exhibition can be seen by visiting both cities – MO Museum in Vilnius and the temporary M. K. Čiurlionis Art Gallery in Kaunas. The exhibition will run till 28 August.

More than external competition

Both cities are associated with stereotypes, with clichés that can't be explained quickly but are familiar to all. However, the curators of the exhibition missed new research about them, so they started by consulting experts in different fields. According to the cultural historian Tomas Vaiseta, the author of the exhibition concept, the exhibition was originally supposed to be about the competition between Kaunas and Vilnius, about stereotypes that could be analysed anthropologically. But as curators delved deeper into the exhibition's material, a different picture of the exhibition began to emerge – a narrative about the relationship between the cities, which is much more diverse than just an external competition.

"The exhibition is about the artistic, cultural and political interaction between Vilnius and Kaunas. The various storylines in the exhibition help to present the multi-layered aspects of Kaunas and Vilnius' proximity and relationship. This is an art and cultural history exhibition, which aims to grasp the constantly evolving and changing images of the two cities, the relationship of the citizens with these cities, their self-perception and even alternative identities," says T. Vaiseta.

What mountains are moved?

The curators of the exhibition have left both an intrigue in the title and a hint to the exhibition's intentions – they have chosen the metaphor of a "mountain" to describe the relationship between Kaunas and Vilnius. A mountain is an obstacle, a challenge, it connects and separates at the same time. Through the four mountains that constantly appear in the exhibition's narrative – Gediminas Hill, Žaliakalnis, Tauro Hill and Owl Hill – different forms of interaction between Kaunas and Vilnius are revealed.

"Although the exhibition is about mountains, there are no real mountains in either Vilnius or Kaunas, only hills. Therefore, "mountain" takes on several meanings in the exhibition. It becomes a metaphor for a complex or resentment, when we want what we don't have. The aspiration to "move mountains", which appears in the title of the exhibition, appeals to the effort to get rid of complexes, grievances and obstacles that prevent one from seeing the true relationship between Kaunas and Vilnius", – says T. Vaiseta.

The motif of the mountain is also physically important, as it is repeated in the architecture of the exhibition, which visually reveals the exhibition as an expedition. Visitors walking freely through the exhibition space will discover mountains, their foundations or ruins. The architecture for the exhibition was created by Julijonas Urbonas and Vladas Suncovas, and the exhibition designer is Inga Navickaitė-Drąsutė.

Works of art created especially for the exhibition

The exhibition features a wide range of artworks: paintings, photography, video art and installations. In total, there are 202 works of art (151 in Vilnius and 51 in Kaunas), including seven works created especially for this exhibition. It was very important for the curators to see Vilnius and Kaunas as cities that interact here and now, that influence each other and that are critically reflected upon by artists. Therefore, the exhibition deliberately includes a number of younger generation artists. The exhibition also features as many as 123 different sketches, posters, cartoons, online memes, children's drawings, videos from social platforms or songs.

Experiences to accompany the exhibition

By delving deeper into the relationship between Kaunas and Vilnius, the curators of the exhibition have expanded the theme in various formats. Therefore, the exhibition is accompanied by an exhibition book analysing the theme of Kaunas and Vilnius from different angles; from artistic, geographical, sociological and even linguistic perspectives. An e-guide to the exhibition in Lithuanian and English will help you experience the exhibition in both Kaunas and Vilnius.

A diverse exhibition team

The co-authors of the exhibition include no fewer than seven representatives from the fields of art, culture, history and other fields of expertise. The author of the exhibition concept is Tomas Vaiseta. Curators and co-curators of the exhibition: Justina Juodišiūtė, Kotryna Lingienė, Kęstutis Lingys, Ernestas Parulskis, Miglė Survilaitė, Rasa Žukienė. The curators of the exhibition were also consulted by: Julijana Andriejauskienė, Marija Drėmaitė, Linara Dovydaitytė, Giedrė Godienė, Lara Lempertienė, Jurgita Verbickienė, Sigita Žemaitytė-Strazdė. Architects of the exhibition: Vladas Suncovas, Julijonas Urbonas, designer – Inga Navickaitė-Drąsutė.

More about the exhibition in Vilnius - https://mo.lt/en/ivykiai/kaunas-vilnius/

About the exhibition in Kaunas – https://kaunomuziejus.lt/exhibition/kaunas-vilnius-moving-mountains/?lang=en

by Sandra

Kaunas 2022 to Open a Summer Stage: Around the World of Music and Culture in 80 days

On 12-13 May, Kaunas - European Capital of Culture 2022 will open a new Summer Stage, the essential cultural gift of the warm season for the city. Every Thursday to Sunday until mid-September, Kaunas Town Hall Square will host concerts, performances and other creative activities by Lithuanian artists and international guests.

The location of the new cultural space - Town Hall Square - fits perfectly with Kaunas 2022’s primary motto, “From Temporary to Contemporary”. It is one of the most traditional places in the city, where the sounds of today’s music will symbolically resound throughout the season, and later, the square will undergo reconstruction.

During the eighty days of stage activities, Kaunas aims to host performers not only from Lithuania and Europe but also from Asia and South America. The most interesting Lithuanian bands and Kaunas 2022 ambassadors will perform here. Audiences will also enjoy stage performances by Oskaras Koršunovas Theatre, Kaunas National Drama Theatre and other events.

Guests from Latvia and Germany for the Opening Weekend

On the occasion of the opening of the Summer Stage, unique gifts from Lithuanian and foreign artists are being carefully packed. The stage will feature four performances and as many different styles of music.

On Thursday, 12 May, Latvian indie-rockers Carnival Youth, one of the most successful bands of the new generation in the Baltics, will return to Kaunas after a two-year break. Back in 2016, the trio received the European Border Breakers Award. The band will present their latest work exclusively for Kaunas.

The Summer Stage will present an exclusive duo – a tandem of Algirdas Kaušpėdas (Antis) and Victor Diawara (Skamp). The songs of Antis, which sparked a true musical revolution during the independence movement in the 80s, remain relevant to this day. A special duo will present a new intriguing programme.

The opening weekend’s highlight will be the eccentric electronic music duo Beissoul & Einius, who rarely appear in Lithuania these days. On Friday night, the performers will surprise not only with their endless energy and exceptional sound but also their looks.

On Friday, for the first time, Germany’s TOYTOY, a jazz band whose music has already captured the hearts of many music fans, will take to the Lithuanian stage. The quartet’s music is inspired by hip-hop rhythms, contemporary classical notes and art-pop sounds.

14 concerts for the Birthday of Kaunas

Coincidence or not, the second act of the contemporary Kaunas myth trilogy, “Santaka”, will also celebrate the city’s birthday. Performers from all over the world - Sweden, Germany, the Czech Republic, Taiwan and Lithuania - will greet Kaunas and its guests on the Summer Stage. As many as 14 performances will offer an alternative soundtrack for the city’s birthday.

The three-day music programme on the Summer Stage will start on a lighter note, with guitar music merging with jazz rhythms before building up to an electronic music fiesta. And for those who love the sounds of world music, there will be a bouquet of exciting performances in the world music programme, with four guests from Asia and Europe.

The local alternative noise-rock band Sraigės efektas will amaze the participants of the Santaka weekend with the sounds of a guitar. They will be joined by a female rock band Shishi, often described as the most vital trio in today’s Lithuanian music, breaking standards about women in alternative music. Both bands have been nominated for the M.A.M.A. (2021) Awards in the Alternative Band of the Year category.

Later will come jazz rhythms by the quartet Juzt. Although the group was formed only a few years ago, it has already conquered the Lithuanian jazz scene - the performers can boast first prizes in a handful of competitions. Kristijonas Ribaitis, an indie and electronica artist whose post-punk sound motifs can be heard in his work, will bring sharper sounds to the stage and invite everyone to dance.

On Saturday, the second day of the Santaka weekend, the Swedish string orchestra Musica Vitae will tell the legends of Sweden through the sounds of historical genres. JISR, a band from Munich, Germany, will combine Western and Eastern cultures. On the same day, pop/indie sounds from Taiwan will also take the stage, with LÜCY, an artist with hundreds of thousands of internet streams. She will later be appearing at major European festivals this summer.

The Czech DJ duo Bratři, frequent performers in the most exciting European locations, has also added Kaunas’ birthday to their itinerary. So did the Lithuanian rock band Colours of Bubbles, twice awarded M.A.M.A. Rock Band of the Year. After dark, after the big Santaka mystery, Baltic Balkan, famous for their around-the-world folk music raves, will bring the buzz back to the Town Hall Square.

As the Santaka programme will draw to a close on Sunday, the band Kedrostuburas, which enchants with rock, hip-hop, soul and jazz music, will light up the Town Hall Square with upbeat sounds. The reggae/dub band Ministry of Echology, who have released three albums in their career and are preparing a fourth, will also be in Kaunas to present new music on the Summer Stage. Another welcome guest of the Santaka weekend is the art-rock band Arklio Galia, who will perform on saxophones, guitars, plates and drums, while the band members will play librettos on the most intriguing topics.

Last Weekend of May Packed With New Albums, Hip-hop Legends and African and Chilean Rhythms

African rhythms will bring spring to a noisy close in Kaunas. On 25 May, the African Drum Festival comes to the Summer Stage. The cultural event “African Days” has been presenting African culture for a decade and spreads the word about this continent every spring – stoked to have them in Kaunas!

On 27 May, Subhira from Chile will join in the music therapy. One of the country’s most innovative ensembles in the world music genre, their compositions blend the rhythms and languages of South American nations, progressive and contemporary world music, jazz and folklore. They are brought to Kaunas by the World Sounds Festival, which will offer more exotic surprises this summer.

Lithuania’s most loved rock band Garbanotas has prepared a long-awaited gift for Kaunas - on 26 May, they will present their new album on the Summer Stage.

And then there’s a surprise for urban culture lovers - the legendary hip-hop festival “Live from Kaunas Streets” will return to the city for one day, on 28 May, taking the audience back to 2005-2014. The festival, which is of great importance for the development of Kaunas underground culture, has contributed to the entry of artists such as Lilas and Innomine, MC Mesijus, Tie Geresni, Micro One and others into the music scene. Hip-hop fans will be able to see legendary artists such as Vaiper, Erke, MC Messiah and others again.

Another international, but in fact very local, highlight on the Summer Stage is planned for 29 May. The Kaunas 2022 programme “Memory Office” is organising a klezmer music concert “Songs from Testimonies”.

All Kaunas 2022 Summer Stage events are free of charge. For a full schedule of concerts and other activities, visit kaunas2022.eu, the Kaunas 2022 app or the calendar at kultura.kaunas.lt.

by Sandra

Grande Saison SanuaK: See Kaunas through the eyes of others

Kaunas and Berlin are joining forces to give Kaunas residents and guests a special experience. International artists from B_Tour (Berlin) and local tour guides from Ekskursas (Kaunas) have united their expertise and created a programme of three guided tours titled Grande Saison SanuaK. As part of Kaunas European Capital of Culture 2022, on Sundays of May (1^st, 8^th, and 15^th), the tours will challenge the visitors’ perspective on their surroundings with creativity and humour. From exploring puddles or cracks in the asphalt to getting to know some local senior women, the organizers of the programme promise to surprise, make laugh, and help to see the city in a new light.

Grande Saison SanuaK refers to the Grande Saison Dada spring series of tours organised by the Dada group in 1921, Paris. Inspired by this happening, the excursions in Kaunas will combine auditory, visual, performative, narrative, and somatic artistic strategies to challenge the social structure of the guided tour playfully.

According to Yael Sherill, the artistic director of B_Tour, conventional guided tours are mostly focused on the sites. In contrast, artistic tours offer a unique experience created by artists: “During the three tours, the “site” might be a commonplace courtyard facing a “normal” residential building, a crack in the asphalt or a private student apartment.”

Her colleague Lianne Mol adds that these “sites” become part of a larger narrative told by the artists about intergenerational trauma, post-war architecture, and utopian philosophy.

„The tours apply various strategies; performativity, visual storytelling, intimate conversations, awkward silences, phone calls… You will have to come and see!“ invites Sherill.

The excursions will take place in the city centre and Šančiai district. The visitors will be invited for a one-to-one conversation in a secret location with “Mamos Mama Mena”, local senior women who will tell their personal stories about Kaunas under Russian influence. Co-walkers will discover the wishes and needs, shyness, and anxiety of puddles in the Šančiai district on the tour Puddle Watching. And on the tour Die Wohnung (The Dwelling), the audience will visit the first Bauhaus settlement worldwide in Stuttgart, Germany, without ever boarding a plane.

Kaunas is open to new experiences

Dada’s series of happenings and manifestations in the public space in 1921 included an excursion to the St. Julien-le-Pauvre church. The independent curators from Berlin note that this site-seeing trip was promoted in flyers and newspapers as an alternative guided tour that would correct the incompetence of regular tour guides and visit places with “no reason to exist”.

In line with the Dadaist approach, the excursion consisted of a series of events, like the guide Georges Ribemont-Dessaignes reading the definitions of random words from the dictionary in several places and the performative presentation of a manifesto by André Breton.

As Breton would recall in his text “Artificial Hells”, this excursion intended to lay bare and break down the social structure of the guided tour and tourism itself. The surrealist writer Georges Hungnet described the events as an “absurd Rendez-Vous, mimicking instructive walks”.

“101 years later, both of our organisations find the Dadaist tour incredibly contemporary, creative, and full of humour, and we decided to experiment with our own Grande Saison,” says Sherill.

According to Algimantas Grigas, coordinator at Ekskursas, Kaunas is a perfect place to experiment and fuse artistic knowledge into new products: “New guided tours that move the boundaries of what a guided tour is in Lithuania.”

He explains that Kaunas was the birthplace of Jurgis (George) Mačiūnas, one of the founders and active proclaimers of Fluxus art. The aftermath of the World Wars directly influenced both Fluxus and Dada. While Dada rejected the fact that art has to be beautiful, Fluxus not only put forward ideas that everyone can be an artist but also employed certain Neo-Dadaist tendencies like the opposition to sensory aesthetics.

It is important to rediscover old places

The tours not only explore the city’s secret places. They also reflect on the production and distribution of knowledge.

„Decolonising sacred cows of the modernist narrative, the tours rewrite hegemonic stories. They employ embodied knowledge, perspective-shifting, and humour to challenge dominant stances in a subtle, thought-provoking, and creative way,“ says Mol.

She notes that tourism is a great privilege these days – discovering different ways of living and thinking is a gift. However, because of globalisation, tourism is no longer about finding the differences – it is about reproducing what is the same and easily consumable.

“The tours we show aim to do precisely the opposite. Not every person will love all the tours, but we hope you will find at least one that is eye-opening and enjoyable!“ smiles Sherill.

She adds another reason for it – climate change. People in the global north should take responsibility for their actions, like every-weekend trips by airplane: “Flights account for a huge amount of the global carbon dioxide production, so there is a great potential in rediscovering one’s city in completely new and unexpected ways.”

Photo author Martynas Plepys

by Sandra

A Birthday Like no Other - all the Cultural Rivers of Kaunas Will Reach “The Confluence” on 20-22 May

The Lithuanian Kaunas, born from the love of the Nemunas and the Neris rivers, will celebrate its birthday in a unique way this year - the European Capital of Culture will be hosting “The Confluence” weekend on 20-22 May, the second part of the Contemporary Kaunas Myth trilogy.

This time, the city will address its inhabitants in the language of water, inviting them to search for intersections, convergence, connection, and most importantly - connection with themselves and others. “The Confluence” invites everyone to immerse themselves in three days full of unexpected experiences, video and audio journeys, and meetings with culture and art.

“If only the climate conditions allowed, we would hold all the events of the Kaunas Myth trilogy by the river - after all, for so many years, Kaunas has ignored the fact that it is a city by the water. “The Confluence” weekend means hundreds of opportunities to enjoy the relationship with the river and its endless possibilities, both in terms of culture and art, and in terms of meaningful leisure and lifestyle in general,” Virginija Vitkienė, the head of Kaunas 2022, believes.

The culmination of the weekend will, of course, take place at the confluence of the Nemunas and Neris rivers. The second part of the Kaunas Myth trilogy will be a mystery show on the water on the evening of 21 May, featuring rock and pop stars and a symphony orchestra. More about the highlights of the big Kaunas 2022 weekend will follow soon. For now, it is clear that a date with the Kaunas Beast is planned for after the big show - this time, it will take place at Žalgiris Arena.

From Laisvės Alėja to Zapyškis

Symbolically - at the dinner table - the big weekend will be kicked off with the Courtyard Festival on 20 May. An inseparable spring tradition, which has come to Kaunas on the occasion of the International Neighbours Day, will call for tablecloths to be laid and feasts to be piled up on Laisvės Avenue, the region’s longest pedestrian boulevard. This year, the festival will feature not only one long table of Kaunas city and Kaunas district residents, communities and organisations, stretching across Laisvės Alėja but also Kaunas’ new friends, the Ukrainians. Of course, there will be many cultural highlights, culminating in a performance by the Kaunas City Symphony Orchestra by the Soboras church.

On Friday, the opening event of Nemuno7 will take place in the inter-war Kaunas Waters Reservoir - it will be an audiovisual performance of the Tykumos project, featuring sounds from the most unexpected places. And the season’s wettest news, the Nemuno7 culture boat, will dock in Zapyškis, on the Nemunas, on 22 May. On that day, the traditional kite festival “Between the Earth and the Sky” will occur there.

Action in the Water, in the air and in Labyrinths

Spectators and visitors will be amazed by performances by acrobats, contemporary circus, action in the rivers, and musical picnics on their banks throughout the weekend. During “The Confluence”, everyone will be invited to participate in the community initiative “Let’s Celebrate the River”. It will offer two cultural routes along the Nemunas and the Neris, which will converge at the confluence. Canoeists and rafters (who can make their rafts in a special workshop before the event) will be able to visit the cultural islands - a plein-air painting workshop, a sports and games station, live music and more.

“Getting lost will be fun”, promises the Catalan company “Espectacle Spectacular”. This collective of artists will set up a 700 square metre installation - three different labyrinths - by the Kaunas Castle. Little Kaunas residents can already mark their parents’ calendars in red - there will be various educational activities, workshops and other entertainment. Of course, there will also be other performances - Kaunas State Puppet Theatre and its festival Kaunas Puppet 2022 will present two cosmically exciting shows at the castle.

Happy Birthday, Kaunas

Although Kaunas is mentioned in historical sources as early as 1361, the city’s birthday is traditionally celebrated on 20 May or the weekend closest to it. On this day in 1463, the city’s rights were considerably extended. So in 2022, the year of the European Capital of Culture, Kaunas, turns 559.

“The Confluence” weekend programme will be packed with highlights to mark the occasion. One of them will be the European Culture Fair, where traditional crafts, feasts and contemporary accents will all find their place. Lithuanian and European folk craftsmen, artists and culinary artists will be waiting for you at the Kaunas Castle.

Music is a must for a birthday. On 20 May, the Kaunas 2022 stage in the Town Hall Square will be officially opened. The best and most original performers from our country and Europe (even the world!), performances, literature, other stage acts and announcements - everything will fit here until September. The opening weekend will be filled with pop, electronica, rock, and world music festive rhythms. An even bigger stage, specially dedicated to Kaunas’ birthday, will be erected in Santaka Park.

In total, Kaunas 2022 and its partners will present around 60 different activities, including approximately 20 concerts, in “The Confluence” weekend programme.

Of course, 20-22 May is also a great time to visit those European Capital of Culture exhibitions already running. Contemporary art and culture lovers must visit the Bank of Lithuania with Yoko Ono’s installation “Ex It”, the new show “1972: Breaking through the Wall” at Kaunas Central Post Office, and the retrospectives of William Kentridge and Marina Abramović at the National Museum of Art of M.K.Čiurlionis and the Kaunas Picture Gallery.

For an event of this magnitude to run smoothly, organizers are planning to gather a team of 400 volunteers. Those who would like to become part of the event, can register here.

The complete programme of the Kaunas 2022 myth trilogy weekend “The Confluence” will be published on kaunas2022.eu and on the Kaunas 2022 mobile app in the run-up to 20-22 May.

Photo author Martynas Plepys

by Sandra