{"id":115021,"date":"2022-10-08T20:43:15","date_gmt":"2022-10-08T20:43:15","guid":{"rendered":"https:\/\/kaunas2022.eu\/?page_id=115021"},"modified":"2022-10-18T10:43:37","modified_gmt":"2022-10-18T10:43:37","slug":"exhibitions-at-the-central-post-office","status":"publish","type":"page","link":"https:\/\/kaunas2022.eu\/en\/exhibitions-at-the-central-post-office\/","title":{"rendered":"Exhibitions at the Kaunas Central Post Office"},"content":{"rendered":"

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Exhibitions presented by Kaunas 2022 and partners at the Central Post Office<\/span><\/h1>\n

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This autumn culture is moving to the Kaunas Central Post Office! As many as six exhibitions are located in the centre of modernist architecture, offering experiences for visitors of various interests. From porcelain objects to manifestations of contemporary art or architectural visions \u2013 we invite you to stop by and discover your favourite exposition. <\/span><\/h3>\n

Single ticket for all exhibitions.<\/span><\/h3>\n

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Oct 5\u2013Nov 13<\/span><\/h4>\n

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STREAMS UPSTREAM:<\/span><\/strong>
\nOSTRALE contemporary<\/span><\/strong>
\nart exhibition<\/span><\/strong><\/h4>\n

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Sep 23\u2013Oct 23<\/span><\/h4>\n

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RECIPE FOR\u00a0RECOVERY:
\nLithuanian and
\nJapanese\u00a0Architecture
\nExhibition<\/strong><\/span><\/h4>\n

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Sep 21\u2013Oct 15<\/span><\/h4>\n

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ARCHI\/TEXT\u016aRA:<\/span><\/strong>
\npavilion of non-visual<\/span><\/strong>
\narchitecture<\/span><\/strong><\/h4>\n

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Oct 17\u201330<\/span><\/h4>\n

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ARCHI\/TEXT\u016aRA:<\/strong><\/span>
\ninvisible & similar<\/strong><\/span><\/h4>\n

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Sep 29\u2013Oct 22<\/span><\/h4>\n

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PORCELAIN CITY:\u00a0International Bone China Symposium exhibition<\/strong><\/span><\/h4>\n

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Sep 29\u2013Oct 22<\/span><\/h4>\n

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KAUNAS ASSORTI:<\/strong><\/span>
\nstories of graphic<\/strong><\/span>
\ndesign from 1964\u20131984<\/strong><\/span><\/h4>\n

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STREAMS UPSTREAM: OSTRALE contemporary art exhibition<\/span><\/h2>\n

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Oct 05\u2013Nov 13<\/span><\/strong><\/h3>\n

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The organisers of the Biennale in Dresden aim to present the interdisciplinary content of their exhibitions not only in Germany, but also in various parts of Europe, and therefore organise travelling exhibitions. In cooperation with the European Capitals of Culture, in 2022 artworks from the OSTRALE Biennale are presented in Lithuania.<\/span><\/h3>\n

The themes of constant movement, migration of animals and humans, their encounter with challenges and each other are interpreted by the exhibition artists. Each artist\u2019s perspective depends on the political and economic reality one comes from. This is an exhibition about globality and all the nowness, unfulfillments and subtexts of this multi-layered phenomenon.<\/span><\/h3>\n

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Patricija Gilyt\u0117<\/span><\/h6>\n

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Sigita Kundrotait\u0117\u2013Savick\u0117<\/span><\/h6>\n

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Nata\u0161a Bodro\u017ei\u0107, Ivana Me\u0161trov, Patricija Gilyt\u0117, Kriszti\u00e1n Kukla, Andrea Hilger, Antka Hofmann<\/span><\/h6>\n

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Bron\u0117 Sofija Gideikait\u0117, Daina Vanagait\u0117\u2013Bel\u017eakien\u0117, Daniel Chong, Eszter Szab\u00f3, Farid Rasulov, Firoz Mahmud, Gabriele Engelhardt, Goran \u0160kofi\u0107, Ivan Milenkovi\u0107, Jana Rinchenbachov\u00e1, Michael Grudziecki, Nikita Kadan, Philipp A. Sch\u00e4fer, Predrag Pavi\u0107, Se\u00e7kin Aydin, Toni Me\u0161trovi\u0107, Volker Kreidler, Zsolt Ferenczy<\/span><\/h6>\n

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Anna Fabricius, Gabriel\u0117 Gervickait\u0117, KOLXOZ<\/span><\/h6>\n

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\u201eKaunas 2022\u201d (Lietuva), OSTRALE \u2013 \u0160iuolaikinio meno centras (Vokietija), \u201eSlobodne veze\u201c (Kroatija), \u201eArt quarter Budapest\u201c (Vengrija)<\/span><\/h6>\n

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\u201eKaunas 2022\u201c, Lietuvos kult\u016bros taryba, \u201eFlowing connections\u201c (\u201eTekan\u010dios jungtys\u201c) \u2013 projektas, bendrai finansuojamas pagal ES program\u0105 \u201eK\u016brybi\u0161ka Europa\u201c.<\/span><\/h6>\n

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V\u0160\u012e \u201eArs futuri\u201c<\/span><\/h6>\n

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RECIPE FOR RECOVERY:\u00a0Lithuanian and Japanese\u00a0Architecture Exhibition<\/span><\/h2>\n

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Sep 23\u2013Oct 23<\/span><\/strong><\/h3>\n

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KAFe2022, Lietuvos architekt\u0173 s\u0105junga Kauno skyrius, The Japan Institute of Architects.<\/span><\/h6>\n

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Paulius Vaitiek\u016bnas, Shinichi Kawakatsu<\/span><\/h6>\n

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Kaunas2022, Lietuvos kult\u016bros taryba, EU-Japan Fest Japan Committee, Kauno technologijos universitetas, Lietuvos architekt\u0173 s\u0105junga, Kautra, Pilotas.lt.<\/span><\/h6>\n

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JP<\/span>
\nEri Tsugawa + Altemy<\/span>
\nKei Kaihoh + Kei Kaihoh Architects<\/span>
\nKenichi Teramoto + Office of Teramoto Fuminori<\/span>
\nKozo Kadowaki<\/span>
\nMiho Tominaga + Tomito Architecture<\/span>
\nNousaku + FuminoriNousaku Architects<\/span>
\nOsamu Nishida<\/span>
\nShingo Masuda<\/span>
\nSuzuko Yamada + Suzuko Yamada Architects<\/span>
\nTsuyoshi Tane + Atelier Tsuyoshi Tane Architects<\/span>
\nYasutaka Yoshimura + Yasutaka Yoshimura Architects<\/span><\/h6>\n
LT<\/span>
\nA2SM Architects<\/span>
\nAketuri Architects<\/span>
\nArches<\/span>
\nArchinova + PLH Arkitekter<\/span>
\nAudrius Ambrasas Architects<\/span>
\nDo Architects<\/span>
\nG. Natkevi\u010dius & Partners<\/span>
\nGintaras Bal\u010dytis<\/span>
\nLG Projects & Gal Architects<\/span>
\nNebrau<\/span>
\nOffice de Architectura<\/span>
\nPalekas Architects Studio + Architecture Studio Plasma<\/span>
\nProcessoffice<\/span>
\n\u0160ar\u016bnas Kiaun\u0117 Studio<\/span>
\nUrban Line<\/span>
\nVilnius Architecture Studio<\/span><\/h6>\n

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Human power and activity changed our natural landscapes and ecosystems, repurposed vast areas of land yet transformed the global climate. Throughout the centuries architects had the power of a Vision. What is needed now, is a vision for renewal and recovery.<\/span><\/h3>\n

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Continuing the 20-year tradition of architecture cooperation between the two countries, the East-East 5 Exhibition presents 40 works by architects and architecture studios from Japan and Lithuania. The Exhibition aims to present the architect’s techniques and philosophy as a \u201cRecipe for Recovery\u201d and the architectural process of the best Japanese and Lithuanian architects. Through the models, plans, sections, details, hand drawings, elevations, diagrams, axonometric views etc. architects demonstrate how their projects came to be.<\/span><\/h3>\n

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ARCHI\/TEXT\u016aRA:\u00a0pavilion of non-visual\u00a0architecture<\/span><\/h2>\n

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Sep 21\u2013Oct 15<\/span><\/strong><\/h3>\n

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The interactive exhibition \u201cArchi\/Text\u016bra\u201d presents the three-year research of architect Rasa Chmieliauskait\u0117 and art researcher dr. Justinas Kalinauskas’ on non-visual experiential architecture. During this research, carried out in cooperation with the community of the Lithuanian Association of the Blind and Visually Impaired, a new grammar for the organization of architectural space, aimed at an invisible dialogue with the surrounding environment, which unfolds via tactile, audial, and orientational relations with the phenomenon of architecture, was being sought.<\/span><\/h3>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_accordion sign=”plus” active_tab=”0″][vc_accordion_tab gutter_size=”2″ column_padding=”2″ title=”Organizer:” tab_id=”1665263948468-9-1″][vc_single_image media=”114928″ media_width_percent=”54″ uncode_shortcode_id=”143079″][\/vc_accordion_tab][vc_accordion_tab gutter_size=”2″ column_padding=”2″ title=”Exhibition idea:” tab_id=”1664899800-2-2516649065307151665263941165″][vc_column_text uncode_shortcode_id=”136822″]<\/p>\n

Rasa Chmieliauskait\u0117<\/span><\/h6>\n

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Rasa Chmieliauskait\u0117, Justinas Kalinauskas<\/span><\/h6>\n

[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab gutter_size=”2″ column_padding=”2″ title=”Textile structure:” tab_id=”1664902880874-9-1016649065307151665263941165″][vc_column_text uncode_shortcode_id=”109888″]<\/p>\n

Gabriel\u0117 Julija Kup\u010dinskait\u0117<\/span><\/h6>\n

[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab gutter_size=”2″ column_padding=”2″ title=”Tactile clay surface:” tab_id=”1664902972359-9-716649065307151665263941165″][vc_column_text uncode_shortcode_id=”147364″]<\/p>\n

Ligita A\u017eukait\u0117-Lileik\u0117<\/span><\/h6>\n

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Arnas Mikalk\u0117nas<\/span><\/h6>\n

[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab gutter_size=”2″ column_padding=”2″ title=”Research methodology and texts:” tab_id=”1664903083290-10-616649065307151665263941165″][vc_column_text uncode_shortcode_id=”143125″]<\/p>\n

Justinas Kalinauskas<\/span><\/h6>\n

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Irma Jok\u0161tyt\u0117, Ramutis Jan\u0161auskas, Paulius L\u0117veris, Vytautas L\u0117veris, Laura Stadalninkait\u0117 ir kiti LASS bendruomen\u0117s nariai<\/span><\/h6>\n

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Kaunas \u2013 Europos kult\u016bros sostin\u0117 2022<\/span><\/h6>\n

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Kaunas Artists\u2019 House, the Lithuanian Association of the Blind and Visually Impaired, Kaunas Branch of the Lithuanian Union of Architects, studio DOT 714<\/span><\/h6>\n

[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”0″ top_padding=”2″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ el_class=”sec-1″ uncode_shortcode_id=”128422″ back_color_type=”uncode-solid” back_color_solid=”#000000″ row_name=”architextura-invisible-similar”][vc_column column_width_percent=”82″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/6″ uncode_shortcode_id=”534628″][\/vc_column][vc_column width=”5\/6″][vc_separator sep_color=”” uncode_shortcode_id=”196497″ sep_color_type=”uncode-solid” sep_color_solid=”#ee2a7b” el_height=”2px”][uncode_vertical_text text_align=”bottom” position=”right” vertical_text_h_pos=”5″ vertical_text_v_pos=”0″ z_index=”0″ text_weight=”900″ text_space=”fontspace-112704″ uncode_shortcode_id=”126852″]<\/p>\n

ARCHI\/TEXT\u016aRA: invisible & similar<\/span> <\/strong><\/h2>\n

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Oct 17\u201330<\/span><\/strong><\/h3>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ back_color=”color-jevc” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”121246″ back_color_type=”uncode-palette” el_class=”acco-white”][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”139389″][vc_accordion sign=”plus” active_tab=”0″][vc_accordion_tab gutter_size=”2″ column_padding=”2″ title=”Organizer:” tab_id=”1665264033968-7-2″][vc_single_image media=”114931″ media_width_percent=”60″ uncode_shortcode_id=”175472″][\/vc_accordion_tab][vc_accordion_tab gutter_size=”2″ column_padding=”2″ title=”Workshops:” tab_id=”1664899800-2-2516649066127421665264015049″][vc_column_text uncode_shortcode_id=”723145″]<\/p>\n

2022 10 17 – 2022 10 27<\/span><\/h6>\n

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2022 10 28 – 2022 10 31<\/span><\/h6>\n

[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab gutter_size=”2″ column_padding=”2″ title=”Curator:” tab_id=”1664902880874-9-1016649066127421665264015049″][vc_column_text uncode_shortcode_id=”211353″]<\/p>\n

dr. Justinas Kalinauskas<\/span><\/h6>\n

[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab gutter_size=”2″ column_padding=”2″ title=”Artists:” tab_id=”1664902972359-9-716649066127421665264015049″][vc_column_text uncode_shortcode_id=”789636″]<\/p>\n

Tomomi Homma (\u672c \u9593 \u667a \u7f8e) (JP), Rasa Chmieliauskait\u0117 (LT)<\/span><\/h6>\n

[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab gutter_size=”2″ column_padding=”2″ title=”Organizators:” tab_id=”1664903055689-9-116649066127421665264015049″][vc_column_text uncode_shortcode_id=”452621″]<\/p>\n

ArchiTextura LAB, Kaunas Artists\u2019 House<\/span><\/h6>\n

[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab gutter_size=”2″ column_padding=”2″ title=”The project is presented by:” tab_id=”1664903083290-10-616649066127421665264015049″][vc_column_text uncode_shortcode_id=”201616″]<\/p>\n

Lithuanian Council for Culture, EU-Japan Fest Japan Committee<\/span><\/h6>\n

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the Lithuanian Association of the Blind and Visually Impaired, Kaunas Branch of the Lithuanian Union of Architects, Kaunas 2022, studio DOT 714<\/span><\/h6>\n

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An intercultural Lithuanian-Japanese architectural residency program is dedicated to the non-visual architectural research and expression with members of the Lithuanian community of the blind and visually impaired. The residency program is aimed at addressing the non-visual experience of space through the traditional-ethnographic (vernacular) and critical regionalist architectural aspects in the study of the semantic, psycho-physiological, and material non-visual architectural impact on perceivers while searching for intercultural (Lithuanian-Japanese) architectural properties and unconventional readability.<\/span><\/h3>\n

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PORCELAIN CITY:\u00a0International Bone China Symposium exhibition<\/span><\/h2>\n

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Sep 29\u2013Oct 22<\/span><\/strong><\/h3>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/6″][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ back_color=”color-jevc” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”121246″ back_color_type=”uncode-palette” el_class=”acco-white”][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”139389″][vc_single_image media=”115013″ media_width_percent=”100″ uncode_shortcode_id=”187780″][\/vc_column][vc_column width=”1\/3″][vc_single_image media=”114820″ media_width_percent=”70″ uncode_shortcode_id=”165616″][vc_column_text uncode_shortcode_id=”797871″ css=”.vc_custom_1665262941115{border-bottom-width: 0px !important;padding-top: 0px !important;padding-right: 10px !important;padding-left: 0px !important;}”]<\/p>\n

Exhibition of the 21st International Bone Porcelain Symposium “Porcelain City” is dedicated to the history of Kaunas porcelain, as well as trends in post-industrial ceramic art. The international team of artists present bone china artworks, created during the symposium. The exhibition will be complemented by a thematic exposition reviewing the history of Kaunas porcelain: coffee sets and small edition designs created in “Jiesia” , dish and set projects created by the Department of Ceramics and Porcelain of Kaunas Art Institute.<\/span><\/h3>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_accordion sign=”plus” active_tab=”0″][vc_accordion_tab gutter_size=”2″ column_padding=”2″ title=”Organizer:” tab_id=”1665264090183-6-9″][vc_single_image media=”114895″ media_width_percent=”30″ uncode_shortcode_id=”437310″][\/vc_accordion_tab][vc_accordion_tab gutter_size=”2″ column_padding=”2″ title=”Curators:” tab_id=”1664899800-2-25166490653071516649066343461665264079365″][vc_column_text uncode_shortcode_id=”229047″]<\/p>\n

Remigijus Sederevi\u010dius, Rokas Dovyd\u0117nas, Maris Grosbahs<\/span><\/h6>\n

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Giedr\u0117 Petkevi\u010di\u016bt\u0117<\/span><\/h6>\n

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Ieva Berta\u0161i\u016bt\u0117 – Grosbaha<\/span><\/h6>\n

[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab gutter_size=”2″ column_padding=”2″ title=”Authors:” tab_id=”1664902972359-9-7166490653071516649066343461665264079365″][vc_column_text uncode_shortcode_id=”935934″ css=”.vc_custom_1664966957863{padding-right: 20px !important;}”]<\/p>\n

Sabrina Basten (DE), Monika Patuszynska (PL), Alison Safford (JAV\/USA),Janina Myronova (PL\/UA), Jurgita Jasinskait\u0117 (LT), Ming-Miao Ko (BE), J\u0101nis Kup\u010ds (LV), Vikt\u00f3ria Mar\u00f3ti (HU), Liudas Parulskis (LT) <\/span><\/h6>\n

[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab gutter_size=”2″ column_padding=”2″ title=”Organizer:” tab_id=”1664903055689-9-1166490653071516649066343461665264079365″][vc_column_text uncode_shortcode_id=”695294″]<\/p>\n

Vilniaus dail\u0117s akademija Kauno fakultetas<\/span><\/h6>\n

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Lietuvos kult\u016bros taryba, Kaunas 2022<\/span><\/h6>\n

[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”0″ top_padding=”2″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ el_class=”sec-1″ uncode_shortcode_id=”168291″ back_color_type=”uncode-solid” back_color_solid=”#000000″ row_name=”kauno-asorti”][vc_column column_width_percent=”82″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/6″ uncode_shortcode_id=”534628″][\/vc_column][vc_column width=”5\/6″][vc_separator sep_color=”” uncode_shortcode_id=”768099″ sep_color_type=”uncode-solid” sep_color_solid=”#56bb68″ el_height=”2px”][uncode_vertical_text text_align=”bottom” position=”right” vertical_text_h_pos=”5″ vertical_text_v_pos=”0″ z_index=”0″ text_weight=”900″ text_space=”fontspace-112704″ uncode_shortcode_id=”123033″]<\/p>\n

KAUNAS ASSORTI:\u00a0stories of graphic\u00a0design from 1964\u20131984<\/span><\/h2>\n

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Sep 29\u2013Oct 22<\/span><\/strong><\/h3>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ back_color=”color-jevc” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”121246″ back_color_type=”uncode-palette” el_class=”acco-white”][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”139389″][vc_accordion sign=”plus” active_tab=”0″][vc_accordion_tab gutter_size=”2″ column_padding=”2″ title=”Organizer:” tab_id=”1665264166116-6-4″][vc_single_image media=”114892″ media_width_percent=”36″ uncode_shortcode_id=”243753″][\/vc_accordion_tab][vc_accordion_tab gutter_size=”2″ column_padding=”2″ title=”Artists:” tab_id=”1664899800-2-2516649079970531665264150830″][vc_column_text uncode_shortcode_id=”135283″]<\/p>\n

Vaidilut\u0117 Gru\u0161eckait\u0117, K\u0119stutis Gvalda, Teres\u0117 Ivanauskait\u0117, Monika Jonaitien\u0117, Vladas Lisaitis, Gediminas Pemp\u0117, Raisa \u0160muriginait\u0117, K\u0119stutis \u0160veikauskas ir kiti<\/span><\/h6>\n

[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab gutter_size=”2″ column_padding=”2″ title=”Curator:” tab_id=”1664902805760-9-216649079970531665264150830″][vc_column_text uncode_shortcode_id=”129774″]<\/p>\n

Karolina Jakait\u0117<\/span><\/h6>\n

[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab gutter_size=”2″ column_padding=”2″ title=”Architect:” tab_id=”1664902880874-9-1016649079970531665264150830″][vc_column_text uncode_shortcode_id=”166290″]<\/p>\n

Julijus Bal\u010dikonis<\/span><\/h6>\n

[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab gutter_size=”2″ column_padding=”2″ title=”Designer:” tab_id=”1664902972359-9-716649079970531665264150830″][vc_column_text uncode_shortcode_id=”690248″]<\/p>\n

Paulius Vitkauskas<\/span><\/h6>\n

[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab gutter_size=”2″ column_padding=”2″ title=”Graphic designer:” tab_id=”1664903055689-9-116649079970531665264150830″][vc_column_text uncode_shortcode_id=”214154″]<\/p>\n

Laura Grigali\u016bnait\u0117<\/span><\/h6>\n

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Dizaino fondas, Nacionalinis M. K. \u010ciurlionio dail\u0117s muziejus, Vilniaus dail\u0117s akademija, Vilniaus grafikos meno centras, KOPA <\/span><\/h6>\n
Exhibition catalogue of 1984 \u201cLithuanian graphic design creators\u201d was published with the support of Lithuanian Council for Culture (published by Vilnius Academy of Arts Publishing house, printing house KOPA)<\/span><\/h6>\n

[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][\/vc_column][vc_column width=”1\/3″][vc_single_image media=”114808″ media_width_percent=”70″ uncode_shortcode_id=”816488″][vc_column_text uncode_shortcode_id=”659126″ css=”.vc_custom_1665262979403{border-bottom-width: 0px !important;padding-top: 0px !important;padding-right: 10px !important;padding-left: 0px !important;}”]<\/p>\n

\u201cKaunas\u2019 ASORTI\u201c \u2013 designerly exposition and historical reconstruction of 1984 exhibition, presenting the Lithuanian graphic design stories of the second half of the twentieth century. Posters and their sketches, projects of packaging and logos, designed in 1964\u20131984, today such artifacts tell us not only about the processes of design history, the creators and their works, but also present the stories about time, identity and sustainability.<\/span><\/h3>\n

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